Hallgrímur Helgason,&nbsp;Falling in Love '99
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 50 x 70 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Artic the Volume, 170g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;&nbsp;</li>
</ul>
© Hallgrímur Helgason.&nbsp;From the collection of Reykjavík Art Museum. Exhibition:&nbsp;Usli/ Havoc, 2024 at Kjarvalsstaðir.

Title

Hallgrímur Helgason, Falling in Love '99

Exhibiton catalouge: Hallgrímur Helgason, Usli / Havoc&nbsp;
Havoc is the eighth exhibition in the Reykjavík Art Museum’s autumn exhibition series at Kjarvalsstaðir. These mid-career retrospectives survey work by artists who have already made valuable contributions to the history of Icelandic art—and who presumably have much more to offer. Our aim is to explore a wide range of subjects, conceptual approaches, and media, and on this occasion, we encounter painting as a platform for storytelling and social critique. As always, it is our intention at the Reykjavík Art Museum that these exhibitions and catalogues will help sustain the ongoing attention that Icelandic artists deserve.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Hardcover&nbsp;</li>
<li data-mce-fragment="1">160 pages&nbsp;</li>
<li data-mce-fragment="1">Fully illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English and Icelandic &nbsp;&nbsp;</li>
<li data-mce-fragment="1">Published: 2024</li>
<li data-mce-fragment="1">Publisher: Reykjavík Art Museum&nbsp;</li>
<li data-mce-fragment="1">Size: 18 cm x 24,5 cm&nbsp;</li>
<li data-mce-fragment="1">Weight: 625 g&nbsp;</li>
</ul>

Hallgrímur Helgason, Havoc

Erró, Daniel and the lions, 1978
<ul data-mce-fragment="1">
<li data-mce-fragment="1">
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 40 x 30 cm</li>
<li data-mce-fragment="1">Paper: Artic the Volume, 170 g.</li>
<li data-mce-fragment="1">Unframed </li>
</ul>
© Erró Collection of Reykjavík Art Museum Exhibition: 1001 Nights, Hafnarhús, 2024
</li>
</ul>

Erró - Daniel and the lions

Hallgrímur Helgason, Patriarchy and Feminism, 2019
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 50 x 70 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Artic the Volume, 170g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;&nbsp;</li>
</ul>
© Hallgrímur Helgason.&nbsp; Exhibition:&nbsp;Usli/ Havoc, 2024 at Kjarvalsstaðir.

Hallgrímur Helgason, Patriarchy and Feminism

Jóhannes S. Kjarval, Erró (Guðmundur Guðmundsson).&nbsp; 
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 50 x 70 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Artic the Volume, 170g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;&nbsp;</li>
</ul>
© Myndstef&nbsp;

Jóhannes S. Kjarval, Erró (Guðmundur Guðmundsson).

Erró, Alice, 1990
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 40 x 30 cm</li>
<li data-mce-fragment="1">Paper: Artic the Volume, 170 g.</li>
<li data-mce-fragment="1">Unframed </li>
</ul>
© Erró Collection of Reykjavík Art Museum Exhibition: 1001 Nights, Hafnarhús, 2024

Erró - Alice

Tote bag with printed Reykjavík Art Museum logo A cotton tote bag with Reykjavík Art Museum logo. Sturdy and stylish with a vivid double-sided print. black print on black cotton. 
<ul>
<li>100% Cotton</li>
<li>Tote bag size: 37 x 41 cm</li>
<li>Handle length: 30 cm</li>
<li>Earth Positive product</li>
</ul>

Jónsi: Flood tote bag

Two types of posters were made for the exhibition Jónsi: Flood in Hafnarhús.
 The first poster shows the work without people and the second with people in the space.
 Size: 50 x 70 cm.

Style

Jónsi: Flood Poster

Obsidian, Jónsi’s third studio album, originally released to coincide with his installation of the same name at the Tanya Bonakdar Gallery in NYC, is now available on vinyl. This is a limited edition of 2000 units in black/gold galaxy colour vinyl. The album is for sale at Reykjavík Art Museum in connection with Jónsi's exhibition at the museum, Flóð.

Jónsi - Obsidian

A valuable book&nbsp;documenting&nbsp;Borghildur Óskarsdóttir's life work with a review of her key works, photos from her career and curator Aðalheiðar Lilja Guðmundsdóttir's essay about the artist as well as an article by art critic Æsa Sigurjónsdóttir. Ólöf Kristín Sigurðardóttir, director of Reykjavík Art Museum, wrote the foreword.
<ul>
<li> Paperback</li>
<li> 256 pages</li>
<li> Illustrated</li>
<li> Language: English and Icelandic</li>
<li> Released: 2024</li>
<li> Publisher: Reykjavík Art Museum</li>
<li> Size: 27.5 cm x 21.5 cm x 2 cm</li>
<li> Weight: 1,185 g</li>
</ul>
<ul></ul>
<ul></ul>
<ul></ul>

Borghildur Óskarsdóttir, Heed

Flæðisker, 1998
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm</li>
<li data-mce-fragment="1"> Paper: Gprint, 170g</li>
<li data-mce-fragment="1">Unframed</li>
</ul>
© Borghildur Óskarsdóttir Exhibition: Heed, Kjarvalsstádir, 2024
Flæðisker is located on the shore of Grófum at Skerjafjörður. The work is no longer visible in the sea.

Borghildur Óskarsdóttir, Flæðisker

Birdscape, 1979-2011&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Gprint, 170g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Erró/Reykjavík Art Museum&nbsp; Collection of Reykjavík Art Museum&nbsp;
&nbsp;

Erró, Birdscape

Reykjavík Art Museum's Annual Pass
The Annual Pass is a 12-month admission ticket to Reykjavík Art Museum.
You get a free access to all exhibitions in Hafnarhús, Kjarvalsstaðir and Ásmundarsafn.
Reykjavík Art Museum offers a wide range of exciting exhibitions and events throughout the year.
Annual pass holders receive invitations to special events organized by the museum with guided tours and information about art and artists. In addition, annual pass holders receive a 10% discount in the museum shops.&nbsp;

Árskort - Annual Pass

Reykjavík Art Museum's Annual Pass +1 guest
The Annual Pass is a 12-month admission ticket to Reykjavík Art Museum.
You get a free access to all exhibitions in Hafnarhús, Kjarvalsstaðir and Ásmundarsafn.
Reykjavík Art Museum offers a wide range of exciting exhibitions and events throughout the year.
Annual pass holders receive invitations to special events organized by the museum with guided tours and information about art and artists. In addition, annual pass holders receive a 10% discount in the museum shops.

Árskort - Annual Pass +1

Reykjavík Art Museum's Annual Pass &lt; 28 years old
The Annual Pass is a 12-month admission ticket to Reykjavík Art Museum.
You get a free access to all exhibitions in Hafnarhús, Kjarvalsstaðir and Ásmundarsafn.
Reykjavík Art Museum offers a wide range of exciting exhibitions and events throughout the year.
Annual pass holders receive invitations to special events organized by the museum with guided tours and information about art and artists. In addition, annual pass holders receive a 10% discount in&nbsp;the museum shops.

Árskort - Annual Pass < 28

Þingvellir Lake, 1989
<ul>

<li> Poster size: 50 x 70 cm</li>

<li> Paper: Matt, Munken Kristal, 200g</li>

<li> Unframed</li>


</ul>
 © Louísa Matthíasdóttir Collection of Reykjavík Art Museum Exhibition: Calm at Kjarvalsstaðir 2017

Louisa Matthíasdóttir, Þingvallavatn

Klapparstígur, 1983&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 50 x 70 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Matt, Munken Kristal, 200g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Louísa Matthíasdóttir&nbsp; Collection of Reykjavík Art Museum&nbsp; Exhibition: Calm at Kjarvalsstaðir 2017&nbsp;

Lousia Matthíasdóttir, Klapparstígur

An extensive exhibition catalog for the Erró exhibition, The Power of Images, that opened in April 2022 in Reykjavík Art Museum, Hafnarhús. The curators Danielle Kvaran and Gunnar B. Kvaran write about the different periods in the artist's career,&nbsp;and&nbsp;texts and interviews by Bjarni Hinriksson, Jean-Max Colard, Alain Jouffroy, Jean-Jacques Lebel, Hans Ulrich Obrist and Anne Tronche are reported.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Softcover&nbsp;</li>
<li data-mce-fragment="1">216 pages&nbsp;</li>
<li data-mce-fragment="1">Illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English&nbsp;</li>
<li data-mce-fragment="1">Published: 2022&nbsp;</li>
<li data-mce-fragment="1">Publisher: Reykjavík Art Museum&nbsp;</li>
<li data-mce-fragment="1">Size: 21 cm x 27 cm x 2.2 cm&nbsp;</li>
<li data-mce-fragment="1">Weight: 1.7 kg&nbsp;</li>
</ul>

ERRÓ Sprengikraftur mynda 

<div>Erró, Facescape</div>
<ul data-mce-fragment="1">
<li data-mce-fragment="1">6 birch veneer coasters. </li>
<li data-mce-fragment="1">Dishwasher safe</li>
<li data-mce-fragment="1">Surface: melamine</li>
<li data-mce-fragment="1">Diameter 9 cm</li>
<li data-mce-fragment="1">Rounded corners</li>
</ul>
&nbsp;

Erró's Facescape drinks coasters

Erró's Facescape drinks coasters
<ul>
<li>6 birch veneer coasters</li>
<li>Dishwasher safe</li>
<li>Surface: melamine</li>
<li>Diameter 9 cm</li>
<li>Rounded corners </li>
<li>Black and white</li>
</ul>

Erró-inspired handbags&nbsp;
The bags are produced exclusively for Reykjavík Art Museum by LOQI.
<ul>
<li>Weigh 56 g (1.98 oz)</li>
<li>Can carry 20 kg (44 lbs)</li>
<li>Size is 50 x 42 cm (19.7" x 16.5")</li>
<li>Zip pocket is 11 .5 x 11.5 cm (4.5" x 4.5")</li>
<li>Handle is 27 cm (10.6")</li>
</ul>
Made of 100% recycled taffeta by GREEN CIRCLE® certified.&nbsp;STANDARD 100 by OEKO-TEX® certified. Water resistant, made using waterless printing.

Erró - Facescape - LOQI shopping bag

<div class="my-6 md:my-12 first:mt-0 last:mb-0" data-mce-fragment="1">
Erró-inspired handbags
</div>
<div class="my-6 md:my-12 first:mt-0 last:mb-0" data-mce-fragment="1">
The bags are produced exclusively for Reykjavík Art Museum by LOQI.
</div>
<div class="my-6 md:my-12 first:mt-0 last:mb-0" data-mce-fragment="1">
<ul class="m-0 list-disc pl-4" data-mce-fragment="1">
<li data-mce-fragment="1">
<div class="font-light text-18/24 md:text-20/28 mx-0 my-2 p-0" data-mce-fragment="1">Weigh 56 g (1.98 oz)</div>
</li>
<li data-mce-fragment="1">
<div class="font-light text-18/24 md:text-20/28 mx-0 my-2 p-0" data-mce-fragment="1">Can carry 20 kg (44 lbs)</div>
</li>
<li data-mce-fragment="1">
<div class="font-light text-18/24 md:text-20/28 mx-0 my-2 p-0" data-mce-fragment="1">Size is 50 x 42 cm (19.7" x 16.5")</div>
</li>
<li data-mce-fragment="1">
<div class="font-light text-18/24 md:text-20/28 mx-0 my-2 p-0" data-mce-fragment="1">Zip pocket is 11 .5 x 11.5 cm (4.5" x 4.5")</div>
</li>
<li data-mce-fragment="1">
<div class="font-light text-18/24 md:text-20/28 mx-0 my-2 p-0" data-mce-fragment="1">Handle is 27 cm (10.6")</div>
</li>
</ul>
</div>
<div class="my-6 md:my-12 first:mt-0 last:mb-0" data-mce-fragment="1">
Made of 100% recycled taffeta by GREEN CIRCLE® certified.&nbsp;STANDARD 100 by OEKO-TEX® certified. Water resistant, made using waterless printing.
</div>

Erró - Odelscape - LOQI shopping bag

Magic colour pencil case
Metal case with 23 colored triangular magic pencils with three shades in each pencil and a mix to combine the shades.  
Case image is Facescape by Erró, only available at Reykjavík Art Museum.
Product size: 305 x 185 mm.

Erró - Magic colour pencils / Töfratrélitir

Serving tray with Erró Facescape print
Decorative serving tray made in collaboration with Formpress.&nbsp;The tray is light-weight and easy to handle.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Rounded&nbsp;edges</li>
<li data-mce-fragment="1">43 x 22 cm</li>
<li data-mce-fragment="1">Made from environmentally&nbsp;friendly&nbsp;birch veneer</li>
<li data-mce-fragment="1">Melamine-based surface</li>
</ul>

Serving tray with Erró Facescape print

Serving tray with Erró Facescape print
Decorative serving tray made in collaboration with Formpress. The tray is light-weight and easy to handle.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Rounded&nbsp;edges</li>
<li data-mce-fragment="1">43 x 22 cm</li>
<li data-mce-fragment="1">Made from environmentally&nbsp;friendly&nbsp;birch veneer</li>
<li data-mce-fragment="1">Melamine-based surface</li>
</ul>

<ul data-mce-fragment="1">
<li data-mce-fragment="1">InkJet print&nbsp;</li>
<li data-mce-fragment="1">Edition of 28, signed and numbered&nbsp;</li>
<li data-mce-fragment="1">Paper size: height 59,5 cm, width 38 cm&nbsp;</li>
<li data-mce-fragment="1">Picture size: height 54 cm, width 34,5 cm&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Erró/Reykjavík Art Museum&nbsp;

Edition

Erró, La Poupée de Neusvanstein (2009) 

<ul data-mce-fragment="1">
<li data-mce-fragment="1">InkJet print&nbsp;</li>
<li data-mce-fragment="1">Edition of 28, signed and numbered&nbsp;&nbsp;</li>
<li data-mce-fragment="1">Paper size: height 43,5 cm, width 53,5 cm&nbsp;</li>
<li data-mce-fragment="1">Picture size: height 35,5 cm, width 50 cm&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Erró/Reykjavík Art Museum&nbsp;

Erró, Orson Welles (2009) 

<ul data-mce-fragment="1">
<li data-mce-fragment="1">InkJet print&nbsp;</li>
<li data-mce-fragment="1">Edition of 25, signed and numbered&nbsp;&nbsp;</li>
<li data-mce-fragment="1">Paper size: height 50 cm, width 52,4 cm&nbsp;</li>
<li data-mce-fragment="1">Picture size: height 47,5 cm, width 48 cm&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Erró/Reykjavík Art Museum&nbsp;

Erró, Dossier Oppenheimer (2009) 

<ul data-mce-fragment="1">
<li data-mce-fragment="1">Screen printing&nbsp;</li>
<li data-mce-fragment="1">Edition of 150, signed and numbered&nbsp;</li>
<li data-mce-fragment="1">Picture size: height 114,5 cm, width 77,5 cm&nbsp;&nbsp;&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Erró/Reykjavík Art Museum&nbsp;

Material

Erró, Indiane (2009) 

A6 Notebook&nbsp;with&nbsp;picture of Oðelsape by Erró 
A&nbsp;notebook with the painting Oðdelscape by the Icelandic Popart artist Erró. Hold&nbsp;notes and write projects in this nice&nbsp;notebook.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Size: A6</li>
<li data-mce-fragment="1">XXX lined pages</li>
</ul>

Erró Glósubók Odelscape A6

Deluxe and delightful, 1979
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Gprint, 170g&nbsp; &nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp; </li>
</ul>
© Myndstef Collection of Reykjavík Art Museum&nbsp; Exhibition: kaleidoscope, 2023&nbsp;

Ragnheiður Jónsdóttir, Deluxe and delightful

Autumn Sun, 1979
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm</li>
<li data-mce-fragment="1"> Paper: Gprint, 170g</li>
<li data-mce-fragment="1">Unframed</li>
</ul>
© Myndstef, Collection of Reykjavík Art Museum&nbsp; Exhibition: Kvikská / Kaleidoscope, 2023

Guðmunda Andrésdóttir, Autumn Sun

Composition, 1951
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Gprint, 170g&nbsp; &nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp; </li>
</ul>
©&nbsp;Myndstef Collection of Reykjavík Art Museum&nbsp; Exhibition: Kaleidoscope, 2023&nbsp;

Valrýr Pétúrsson, Composition

<h3 class="Polaris-Header-Title_2qj8j">Hekla Dögg Jónsdóttir, 0°0 Núlleyja / Null Island</h3>
Exhibition catalog published in connection with a retrospective exhibition of Hekla Dögg&nbsp;Jónsdóttir's work at the Reykjavík Art Museum in Kjarvalsstadir in 2023.
The book contains photographs of the exhibition, pictures of works and texts about Hekla and her subjects.
This book&nbsp;features&nbsp;writer Kristín Eiríksdóttir's&nbsp;discussion with Hekla&nbsp;as well as&nbsp;philosopher and visual artist Jóhannes Dagsson, and it includes articles about the artist by curator Markús Þór Andrésson. Ólöf Kristín Sigurðardóttir, director of Reykjavík Art Museum, wrote the introduction.
<ul>
<li>
<div>Hard cover</div>
</li>
<li>
<div>166 pages</div>
</li>
<li>
<div>Fully illustrated</div>
</li>
<li>
<div>Language: English and Icelandic</div>
</li>
<li>
<div>Published: 2023</div>
</li>
<li>
<div>Publisher: Reykjavík Art Museum</div>
</li>
<li>
<div>Size: 17 cm x 25 cm</div>
</li>
<li>
<div>Weight: 630 g</div>
</li>
</ul>
<ul></ul>
<ul></ul>

Hekla Dögg Jónsdóttir, 0°0 Núlleyja

Glitter and Palmtrees, 2001
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm</li>
<li data-mce-fragment="1"> Paper: Gprint, 170g</li>
<li data-mce-fragment="1">Unframed</li>
</ul>
© Hekla Dögg Jónsdóttir Exhibition: 0°0° Núlleyja / 0°0° Null Island, Kjarvalssádir, 2023

Hekla Dögg Jónsdóttir, Glitter and Palmtrees

Owl, Undated
Owl&nbsp;carries clear author characteristics from Ásmundur Sveinsson with its solid form. His work usually contains a distinct reference to nature, history or literature. The owl was one of the distinctive symbols of Athena, the goddess of wisdom in Greek mythology. Sveinsson’s&nbsp;Owl&nbsp;is preoccupied with gaining knowledge by reading a book.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Size: height 18 cm, width 9 cm, depth 9 cm</li>
<li data-mce-fragment="1">Weight: ca. 680 g</li>
<li data-mce-fragment="1">Material: plaster</li>
<li data-mce-fragment="1">Fragile!</li>
<li data-mce-fragment="1">﻿Please contact shop for more details</li>
</ul>

Ásmundur Sveinsson, Owl

Worship, 1941
Quite a few sculptures by Ásmundur Sveinsson show the connection between mother and child, and the mother is often prominent. Ásmundur was greatly inspired by women and depicts their many sides in his work. In&nbsp;Worship, the female appears as the noble mother who embraces her child lovingly and in protection. This is one of the last sculptures which the artist created in his home at Freyjugata in Reykjavík.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Edition: 200 (numbered)</li>
<li data-mce-fragment="1">Size: height 39 cm, width 34 cm, depth 24 cm</li>
<li data-mce-fragment="1">Weight: ca. 6.600 g</li>
<li data-mce-fragment="1">Material: plaster</li>
<li data-mce-fragment="1">Fragile!&nbsp;Only available for pick up</li>
<li data-mce-fragment="1">﻿Please contact the shop for more details</li>
</ul>

Ásmundur Sveinsson, Worship

Midsummer Night,&nbsp;1940
Midsummer Night&nbsp;is a unique manifestation of dreams and memories of love and sensuality. Two bodies are lovingly entwined in an inseparable whole; their forms speak to each other and tell stories. The work is very typical of the first half of Ásmundur Sveinsson’s career – a solid whole with no air between the body parts.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Size: height 12 cm, width 10 cm, depth 7 cm</li>
<li data-mce-fragment="1">Weight: ca. 630 g</li>
<li data-mce-fragment="1">Material: plaster</li>
<li data-mce-fragment="1">Fragile</li>
<li data-mce-fragment="1">﻿Please contact shop for more details</li>
</ul>

Ásmundur Sveinsson, Midsummer Night (12 cm)

Hammer
Hammer&nbsp;is a candlestick inspired by&nbsp;The Blacksmith&nbsp;that sculptor Ásmundur Sveinsson made in Copenhagen in 1936.&nbsp;Hammer&nbsp;gives the user the opportunity to adapt to the work and put himself in the position of the statue that captures the moment where the blacksmith leans forward on the post.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Designer: Hanna Dís Whitehead</li>
<li data-mce-fragment="1">Candlestick size: ca. 12,5 x 5 x 5 cm&nbsp;</li>
<li data-mce-fragment="1">Candle size: ca. 37 x 4,5 x 3 cm</li>
<li data-mce-fragment="1">Combined weight: ca. 1152 g</li>
<li data-mce-fragment="1">Material: Clay with glaze</li>
<li data-mce-fragment="1">Candle: Beeswax from Sólheimar candle making</li>
<li data-mce-fragment="1">Never light a candle without supervision</li>
<li data-mce-fragment="1">Do not allow the candle to burn completely into the candlestick</li>
<li data-mce-fragment="1">Clean the candlestick with a damp cloth</li>
</ul>
Ásmundur Sveinsson (1893-1982) was one of the pioneers of Icelandic sculpture. His artworks manifest the Icelandic narrative tradition, society and nature. Many of his works are accessible in public spaces in Reykjavík. It was the artist's opinion that art belonged to the masses.&nbsp;

Hammer

Apple, 2020 
<div>
Editions by Ragnhildi Weisshappell
</div>
<ul data-mce-fragment="1">
<li data-mce-fragment="1"> Signed and numbered on packaging: 20 copies</li>
<li data-mce-fragment="1">Painted plaster</li>
<li data-mce-fragment="1"> Size: height 7.5 cm, width 8.0 cm</li>
<li data-mce-fragment="1">Weight: 220 gr.</li>
</ul>
© Ragnhildur Weisshappell

Ragnhildur Weisshappell, Apple

Ceramic bowls by Ker
<ul>
<li>All items are handmade in Reykjavík so every piece is unique</li>
<li>Designer: Guðbjörg Káradóttir</li>
<li>Porcelain mixed with volcanic ash</li>
<li>Can be put in the dishwasher</li>
<li>Fragile!</li>
</ul>
Guðbjörg Káradóttir developed a method mixing Volcanic ash from Southern Peninsula region in Iceland&nbsp;with porcelain.
Small sizes are glazed on the inside and matt on the outside.&nbsp; Large sizer are matt both inside and outside.&nbsp;

Size

KER skálar, Lavala

Shadow
The shadow of Ásmundur Sveinsson's sculpture&nbsp;Giantess&nbsp;(1948) turned into cast iron. The giantess becomes a shadow on a table, a plate under hot vessels. Ásmundur said that trolls reminded him of mountains and that the mountains were trolls. The interplay of man and nature in Ásmundur's work takes on countless images and is a source of endless ideas and emotions.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Designer: Brynhildur Pálsdóttir</li>
<li data-mce-fragment="1">Size:&nbsp;23 x 23 x 3 cm</li>
<li data-mce-fragment="1">Weight: ca. 2026 g</li>
<li data-mce-fragment="1">Material: Poly-coated cast iron (heat-resistant)</li>
<li data-mce-fragment="1">Made in Iceland</li>
</ul>
Ásmundur Sveinsson (1893-1982) was one of the pioneers of Icelandic sculpture. His artworks manifest the Icelandic narrative tradition, society and nature. Many of his works are accessible in public spaces in Reykjavík. It was the artist's opinion that art belonged to the masses.&nbsp;

Shadow

The Ásmundur Sweater
The Ásmundur Sweater&nbsp;has been&nbsp;on sale at the Reykjavík Art Museum shop at Ásmundarsafn since 2015. Various photos&nbsp;show&nbsp;sculptor Ásmundur Sveinsson in a black and white patterned, knitted sweater. It was decided to recreate this sweater in Icelandic wool with knitter Sigurlaug Helga Emilsdóttir, who drafted the pattern, and master knitter Birgir Einarsson, who designed the final version of the sweater. The sweater is produced by&nbsp;Varma&nbsp;for the museum shop.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">The model is 180 cm in height, 86 kg and is wearing size M</li>
<li data-mce-fragment="1">100% wool</li>
<li data-mce-fragment="1">Made locally in Iceland</li>
</ul>

The Ásmundur Sweater

Healing Hands scarf&nbsp;by Vík Prjónsdóttir
Designed specially for Ásmundarsafn.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Designer: Vík Prjónsdóttir</li>
<li data-mce-fragment="1">Icelandic wool, black/white&nbsp;</li>
<li data-mce-fragment="1">Length: 200cm</li>
<li data-mce-fragment="1">Unisex</li>
</ul>
The Healing Hands are knitted using 100% Icelandic wool. With a collection of five new colours released each year, every scarf is one of a limited edition. The Healing Hands are one-size-fits-all and unisex, offering an open embrace to all.
As with all Vík Prjónsdóttir products, the Healing Hands result from a design and production process based on working closely with traditional Icelandic knitwear factories and producers.

Healing Hands scarf

Strokkur
Strokkur&nbsp;is a container inspired by the work&nbsp;Woman Churning Butter, which sculptor Ásmundur Sveinsson worked on in Reykjavík in 1934.&nbsp;Strokkur&nbsp;gives the user the opportunity to adapt to the work and put himself in the position of the statue, which churns butter with great calm and consideration. The work was dedicated to women of the past and present.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Designer: Hanna Dís Whitehead</li>
<li data-mce-fragment="1">Size: Ø 17-20, H 10-30 cm</li>
<li data-mce-fragment="1">Weight: ca.&nbsp;512-670 g</li>
<li data-mce-fragment="1">Material: Stone clay and earthenware with glaze</li>
<li data-mce-fragment="1">It is recommended to wash the product by hand</li>
<li data-mce-fragment="1">Handmade by the designer in Iceland (each item is unique)</li>
<li data-mce-fragment="1">Fragile</li>
</ul>
Ásmundur Sveinsson (1893-1982) was one of the pioneers of Icelandic sculpture. His artworks manifest the Icelandic narrative tradition, society and nature. Many of his works are accessible in public spaces in Reykjavík. It was the artist's opinion that art belonged to the masses.&nbsp;

Color

Strokkur

Toes
Ásmundur Sveinsson's 1936–37 sculpture entitled&nbsp;The Water Carrier&nbsp;shows a barefoot woman carrying two buckets of water. Her legs are strong and reflect stability and grounding. Sturdy body parts - hands, fingers, feet and toes - characterize many of Ásmundur's works and are reminiscent of the power of the workers. Concrete legs that step on the table carry candles to illuminate sweet moments. Ásmundur drew inspiration from the workers to sculpt the foot.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Designer: Brynhildur Pálsdóttir</li>
<li data-mce-fragment="1">Size:&nbsp;ca.&nbsp;11 x 5 x 10&nbsp;cm</li>
<li data-mce-fragment="1">Weight: ca. 324 g</li>
<li data-mce-fragment="1">Material: Concrete</li>
<li data-mce-fragment="1">Never light a candle without supervision</li>
<li data-mce-fragment="1">Do not allow the candle to burn completely into the candlestick</li>
<li data-mce-fragment="1">Clean the candlestick with a damp cloth</li>
<li data-mce-fragment="1"><a href="https://verslun.listasafnreykjavikur.is/search?q=kerti&amp;options%5Bprefix%5D=last" data-mce-fragment="1" data-mce-href="https://verslun.listasafnreykjavikur.is/search?q=kerti&amp;options%5Bprefix%5D=last">Candle sold separately</a></li>
</ul>
Ásmundur Sveinsson (1893-1982) was one of the pioneers of Icelandic sculpture. His artworks manifest the Icelandic narrative tradition, society and nature. Many of his works are accessible in public spaces in Reykjavík. It was the artist's opinion that art belonged to the masses.

Toes

Babb
Babb&nbsp;is a lively mobile that refers to the material world of sculptor Ásmundur Sveinsson and his development as an artist. Varied materials that characterize different time periods in his artistic creation perform a balancing dance and enliven the environment.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Designer: Björn Steinar Blumenstein</li>
<li data-mce-fragment="1">Size:&nbsp;ca.&nbsp;25 x 17 x 5 cm</li>
<li data-mce-fragment="1">Weight: ca. 335 g</li>
<li data-mce-fragment="1">Material: Clay, bronze, larch, basalt, steel</li>
<li data-mce-fragment="1">Handmade by the designer in Iceland</li>
<li data-mce-fragment="1">Fragile</li>
</ul>
Ásmundur Sveinsson (1893-1982) was one of the pioneers of Icelandic sculpture. His artworks manifest the Icelandic narrative tradition, society and nature. Many of his works are accessible in public spaces in Reykjavík. It was the artist's opinion that art belongs to the masses.&nbsp;

Babb

<div>
Ásmundur Typeface
<ul>
<li>Poster size: 59,4 x 35,5 cm</li>
<li>Two pictures, one on each side</li>
<li>Unframed&nbsp;</li>
</ul>
© Þorleifur Gunnar Gíslason&nbsp;
This typeface is inspired by Le Bifur by&nbsp;Cassandre&nbsp;and is a tribute to Icelandic sculpture. There are many similarities between Cassandre and Ásmundur, such as the heavy contrast in shapes in Le Bifur&nbsp;that can be found in Ásmundur's&nbsp;abstract sculptures.
</div>

Þorleif Gunnar Gíslason, Ásmundur Typeface

Water bottle with Imagine Peace&nbsp;design
This stainless steel drink bottle sports an "Imagine Peace" design on a white background which blends beautifully along the bottle’s slimline design. Made of high quality food-grade stainless steel without toxic linings, an EarthLust drink water bottle will help you stay hydrated safely without contributing to landfills.
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Capacity: 600ml</li>
<li data-mce-fragment="1">Height: 212 mm</li>
<li data-mce-fragment="1">Diameter: 63 mm</li>
<li data-mce-fragment="1">Reusable</li>
<li data-mce-fragment="1">Recyclable</li>
</ul>

Water bottle with Imagine Peace design

Breasts I, 1971&nbsp;
<ul>
<li>Poster size: 50 x 70 cm&nbsp;</li>
<li>Paper: Munken polar Rough, 170g&nbsp;</li>
<li>Unframed&nbsp;</li>
</ul>
© Hildur Hákonardóttir&nbsp; Exhibition: Read Thread at Kjarvalsstaðir, 2023&nbsp;
&nbsp;
&nbsp;

Hildur Hákonardóttir, Breasts I

Sigurður Guðjónsson (b.1975) creates powerful videos in which image, sound, and space coalesce to form an organic whole. Guðjónsson creates works whose rhythms enfold the viewer in a synesthetic experience, fusing the senses of sight and hearing in a way that seems to expand their field of perception and inducing yet unfelt sensations. Many of his works examine man-made constructions, machines, and the infrastructure of technical relics in conjunction with natural elements. Sigurður lives and works in Reykjavík.&nbsp;&nbsp;
On the occasion of Guðjónsson’s contribution to the 59th Venice Biennale, the accompanying catalogue presents a cross-section of his growing oeuvre. The Pavilion of Iceland is curated by Mónica Bello who&nbsp;wrote an essay in the catalogue.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Hardcover&nbsp;</li>
<li data-mce-fragment="1">112 pages&nbsp;</li>
<li data-mce-fragment="1">Fully illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English (also available in Icelandic)&nbsp;</li>
<li data-mce-fragment="1">Published: 2022&nbsp;</li>
<li data-mce-fragment="1">Publisher: Distanz&nbsp;</li>
<li data-mce-fragment="1">Size: 19 cm x 25 cm &nbsp;&nbsp;</li>
<li data-mce-fragment="1">Weight: 625 g&nbsp;</li>
</ul>

Sigurður Guðjónsson, Perpetual Motion 

By Sigrún Gyða Sveinsdóttir, artist.
CLUB SCARF is a machine knitted scarf made from extra fine merino wool in the Netherlands. It is designed by the artist Sigrúna Gyða Sveinsdóttir, who has a work in the exhibition Vitamin D in Hafnarhús.
The scarf is intended as a symbol of unity. Whether you're on the team doing their best to curb climate change, the team promoting peace and philanthropy, or the team helping you get off the couch on a rough Monday. In this way, the half-time is used as a time of decision-making for positive changes.
CLUB SCARF comes in three different color combinations, in an edition of 15 in each color, and is on sale for 12,500 ISK in Reykjavík Art Museum's museum shop, Hafnarhús.

CLUB SCARF

Partway, 2019-2022&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Gprint, 170g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© Guðjón Ketilsson&nbsp; Exhibition: Jæja at Kjarvalsstaðir, 2020&nbsp;

Guðjón Ketilsson, Partway

Untitled, 2018-2020&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Matt, Munken Kristal, 200g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp; </li>
</ul>
© Eggert Pétursson&nbsp; Exhibition: Eternal Recurrence at Kjarvalsstaðir, 2021&nbsp;

Eggert Pétursson, Untitled

Exhibition catalogue published on the occasion of the opus-oups exhibition at Reykjavík Art Museum - Kjarvalsstaðir in 2021. The book contains photographs of the exhibition, documentation of works and texts about Guðný Rósa Ingimarsdóttir and her subjects.&nbsp;
Essays by art historian Eva Wittocx and writer Halldór Björn Runólfsson, a conversation between Guðný Rósa and artist Ingibjörg Sigurjónsdóttir, and a text by Guðný Rósa. Museum director Ólöf Kristín Sigurðardóttir is the editor of the catalogue and&nbsp;wrote the foreword.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Hardcover&nbsp;</li>
<li data-mce-fragment="1">144 pages&nbsp;</li>
<li data-mce-fragment="1">Fully illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English and Icelandic &nbsp;&nbsp;</li>
<li data-mce-fragment="1">Published: 2021&nbsp;</li>
<li data-mce-fragment="1">Publisher: Reykjavík Art Museum&nbsp;</li>
<li data-mce-fragment="1">Size: 18 cm x 24,5 cm&nbsp;</li>
<li data-mce-fragment="1">Weight: 625 g&nbsp;</li>
</ul>

Guðný Rósa Ingimarsdóttir, opus-oups 

Untitled, 1990-2000&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Matt, Arctic Volume, 170g&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;</li>
</ul>
© The Estate of Birgir Andrésson and i8 Gallery&nbsp; Exhibition: As Far as the Eye Can See at Kjarvalsstaðir, 2022&nbsp;

Birgir Andrésson, Untitled

<ul data-mce-fragment="1">
<li data-mce-fragment="1">InkJet print&nbsp; </li>
<li data-mce-fragment="1">Edition of 28, signed and numbered</li>
<li data-mce-fragment="1">Paper size: height 58,5 cm, width 44,5 cm</li>
<li data-mce-fragment="1">Picture size: height 53 cm, width 41 cm</li>
<li data-mce-fragment="1">Unframed</li>
</ul>
© Erró/Listasafn Reykjavíkur

Erró, Shakespeare

Smokerings, 2010&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 48 x 48 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Matt&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;&nbsp;</li>
</ul>
© Erró/Reykjavík Art Museum&nbsp; Collection of Reykjavík Art Museum&nbsp;

Erró, Smokerings

In Icelandic Colours is the first comprehensive and extensive monograph of the works of Birgir Andrésson. The book includes an analysis from the author, art historian Robert Hobbs, as well as an insightful foreword by Andrésson’s former student, the internationally celebrated artist Ragnar Kjartansson, in addition to literary critic Thröstur Helgason’s discerning interviews with Andrésson and his close contemporaries.&nbsp;
During his lifetime, Andrésson’s work was featured in 50 solo exhibitions, including Iceland’s selection for the 1995 Venice Biennale. His multifaceted art is now the subject of the Reykjavík Art Museum’s full-scale retrospective As Far as the Eye Can See.&nbsp; 
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Hardcover&nbsp;</li>
<li data-mce-fragment="1">432 pages&nbsp;</li>
<li data-mce-fragment="1">Fully illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English&nbsp; &nbsp;</li>
<li data-mce-fragment="1">Published: 2022&nbsp;</li>
<li data-mce-fragment="1">Publisher: Distanz&nbsp;</li>
<li data-mce-fragment="1">Size: 24,9 cm x 29,5 cm&nbsp;&nbsp;</li>
<li data-mce-fragment="1">Weight: 2100 g&nbsp;</li>
</ul>

BIRGIR ANDRÉSSON IN ICELANDIC COLOURS

Sabartés, 1964&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Arctic the Volume, 170g&nbsp; &nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp; </li>
</ul>
© Erró/Reykjavík Art Museum&nbsp; Collection of Reykjavík Art Museum&nbsp; Exhibition: Erró, The Power of Images at Hafnarhús, 2022&nbsp;

Erró, Sabatés

An exhibition catalog for the international contemporary art exhibition Down Иorth which is a collaboration between three art museums: The Portland Museum of Art in the state of Maine (USA), Bildmuseet in Umeå (Sweden) and the Reykjavík Art Museum (Iceland) exhibited in 2022-23. The catalog consists of thorough information about the participating artists and their work. There are new works by 30 artists dealing with the changes in society, nature and the biosphere at the beginning of the 21st century, largely due to climate change. Curators are Jaime DeSimone, Anders Janson and Markús Þór Andrésson who wrote detailed information about each artist. Andri Snær Magnason&nbsp;addresses climate issues in an article, Elizabeth Bischof talks about the history of mapping in the Arctic, and Åsa Ossbo discusses issues in relations between the Swedish authorities and the indigenous Sami people.&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Hardcover&nbsp;</li>
<li data-mce-fragment="1">144 pages&nbsp;</li>
<li data-mce-fragment="1">Fully illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English and Icelandic &nbsp;</li>
<li data-mce-fragment="1">Published: 2021&nbsp;</li>
<li data-mce-fragment="1">Publisher: Reykjavík Art Museum&nbsp;</li>
<li data-mce-fragment="1">Size: 18 cm x 24,5 cm&nbsp;</li>
<li data-mce-fragment="1">Weight: 625 g&nbsp;</li>
</ul>

Down Иorth: North Atlantic Triennial 

The first major English-language monograph on Icelandic Pop artist Erró establishes his primacy among today’s significant figurative artists. Since introducing exclusively source-image-based painted collage to the European Pop movement in 1959, Erró has produced an influential body of work mining cartoons and art history on canvases marked by political satire and his own cheerfully dystopian observations of human nature.&nbsp; &nbsp; Prescient and timely, Erró’s paintings are marked by a voracious consumption of imagery synthesizing a hallucinatory vision of contemporary visual culture. Often compared to Andy Warhol, James Rosenquist, and Roy Lichtenstein, Erró’s multifigure narratives, refusal to commit to a singular style, and obsession with cartoons set his practice apart. An essay by Ruba Katrib connects Erró to today’s figurative-painting practices, and a chronology by Danielle Kvaran traces his wild figurations of history and subjects, ranging from Winston Churchill to contemporary music icons.&nbsp;&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Hardcover&nbsp;</li>
<li data-mce-fragment="1">256 pages&nbsp;</li>
<li data-mce-fragment="1">Illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: English&nbsp;</li>
<li data-mce-fragment="1">Published: 2017&nbsp;</li>
<li data-mce-fragment="1">Publisher: Rizzoli&nbsp;</li>
<li data-mce-fragment="1">Size: 26.42 cm x 31.5 cm&nbsp;</li>
<li data-mce-fragment="1">Weight: 1.95 kg&nbsp;</li>
</ul>

Erró

Science-Fiction Scape, detail, 1992&nbsp;
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Arctic the Volume, 170g&nbsp; &nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp; </li>
</ul>
© Erró/Reykjavík Art Museum&nbsp; Collection of Reykjavík Art Museum&nbsp; Exhibition: Erró, The Power of Images at Hafnarhús, 2022&nbsp;

Erró, Science-Fiction Scape (The Power of Images)

Hraunteigar by Mt. Hekla, 1930
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 70 x 50 cm</li>
<li data-mce-fragment="1"> Paper: Gprint, 170g</li>
<li data-mce-fragment="1">Unframed</li>
</ul>
© Myndstef, Collection of Reykjavík Art Museum Exhibition: Kvikská / Kaleidoscope, 2023

Jón Stefánsson, Hraunteigar by Mt. Hekla

<div>
Just Like Real Effects (2023)
Printed work by Helena Margréti Jónsdóttir, signed and numbered.
</div>
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Plotter print </li>
<li data-mce-fragment="1"> Signed and numbered : 40 copies + 5 AP</li>
<li data-mce-fragment="1">Paper: Matte, 190 g</li>
<li data-mce-fragment="1"> Paper size: height 46 cm, width 46 cm</li>
<li data-mce-fragment="1"> Size of work: height 40 cm, width 40 cm</li>
<li data-mce-fragment="1"> Without frame</li>
</ul>
© Helena Margrét Jónsdóttir

Helena Margrét Jónsdóttir, Just like a real effect

Andlit, undated&nbsp; 
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Poster size: 45 x 60 cm&nbsp;</li>
<li data-mce-fragment="1">Paper: Gloss&nbsp;&nbsp;</li>
<li data-mce-fragment="1">Unframed&nbsp;&nbsp;</li>
</ul>
© Myndstef&nbsp;

Jóhannes, S. Kjarval, Face

Flower Face, ca. 1940&nbsp;
<ul>
<li>Poster size: 70 x 50 cm&nbsp;</li>
<li>Paper: Matt, Munken Kristal, 200g&nbsp;</li>
<li>Unframed&nbsp;&nbsp;</li>
</ul>
© Myndstef&nbsp; Exhibition: Eternal Recurrence at Kjarvalsstaðir, 2021&nbsp;

Jóhannes S. Kjarval, Flower Face

Exhibition catalogue published on the occasion of an exhibition of works by British artists Gilbert and George, The Great Exhibition.&nbsp;
The book carefully illustrates the artists’ careers with documentation of their works from the beginning to the present day. Included is a detailed interview between curators Daniel Birnbaum and Hans Ulrich Obrist, with the artists themselves.&nbsp; 
<ul data-mce-fragment="1">
<li data-mce-fragment="1">Softcover&nbsp;</li>
<li data-mce-fragment="1">469 pages&nbsp;</li>
<li data-mce-fragment="1">Illustrated&nbsp;</li>
<li data-mce-fragment="1">Language: Icelandic and English&nbsp;</li>
<li data-mce-fragment="1">Published: 2020&nbsp;</li>
<li data-mce-fragment="1">Publisher: Reykjavík Art Museum&nbsp;</li>
<li data-mce-fragment="1">Size: 30 cm x 24.5 cm x 3.5 cm&nbsp;</li>
<li data-mce-fragment="1">Weight: 2.68 kg&nbsp;</li>
</ul>

Gilbert & George, The Great Exhibition

Featured Collection

Here you will find books, catalogues and other publications and literature produced by Reykjavik Art Museum, along with publications made in collaboration with other institutions. Quite a few of the books are first edition and most of them are hard to find elsewhere!

Books & catalogues

Here you will find posters produced by Reykjavík Art Museum. All printed on high quality paper, and among them are signed editions by various artists.

Posters

Ásmundur Sveinsson (1893–1982) var einn af frumkvöðlum íslenskrar höggmyndalistar. Hann ánafnaði Reykjavíkurborg verk sín og heimili eftir sinn dag. Listasafn Reykjavíkur býður upp á afsteypur af völdum verkum Ásmundar sem eru gerðar í takmörkuðu upplagi og unnar af myndlistarmönnum.

Sculptures

Artist Erró was born in Iceland 1932 and now works and lives in Paris. He is one of the most well-known contemporary Icelandic artists. Reykjavík Art Museum preserves a large collection of works by Erró. Limited edition prints signed by the artist are for sale in support of Reykjavík Art Museum.

Editions

Í safnverslunum Listasafns Reykjavíkur eru til sölu gjafavörur af ýmsu tagi. Vinsælustu vörurnar eru einnig seldar í vefversluninni.

Gift Items

Toys

Design

The Annual Pass is a 12 month admission ticket to Reykjavík Art Museum. You get a free access to all exhibitions in Hafnarhús, Kjarvalsstaðir and Ásmundarsafn. Reykjavík Art Museum offers a wide range of exciting exhibitions and events throughout the year. Annual pass holders receive invitations to special events organized by the museum with guided tours and information about art and artists. In addition, annual pass holders receive a 10% discount in the Art Museum's museum shops.

Web shop

Hallgrímur Helgason, Falling in Love '99

Hallgrímur Helgason, Havoc

Erró - Daniel and the lions

Hallgrímur Helgason, Patriarchy and Feminism

Jóhannes S. Kjarval, Erró (Guðmundur Guðmundsson).

Erró - Alice

Jónsi: Flood tote bag

Jónsi: Flood Poster

Jónsi - Obsidian

Borghildur Óskarsdóttir, Heed

Borghildur Óskarsdóttir, Flæðisker

Erró, Birdscape

Árskort - Annual Pass

Árskort - Annual Pass +1

Árskort - Annual Pass < 28

Louisa Matthíasdóttir, Þingvallavatn

Lousia Matthíasdóttir, Klapparstígur

ERRÓ Sprengikraftur mynda

Erró's Facescape drinks coasters

Erró's Facescape drinks coasters

Erró - Facescape - LOQI shopping bag

Erró - Odelscape - LOQI shopping bag

Erró - Magic colour pencils / Töfratrélitir

Serving tray with Erró Facescape print

Serving tray with Erró Facescape print

Erró, La Poupée de Neusvanstein (2009)

Erró, Orson Welles (2009)

Erró, Dossier Oppenheimer (2009)

Erró, Indiane (2009)

Erró Glósubók Odelscape A6

Ragnheiður Jónsdóttir, Deluxe and delightful

Guðmunda Andrésdóttir, Autumn Sun

Valrýr Pétúrsson, Composition

Hekla Dögg Jónsdóttir, 0°0 Núlleyja

Hekla Dögg Jónsdóttir, Glitter and Palmtrees

Ásmundur Sveinsson, Owl

Ásmundur Sveinsson, Worship

Ásmundur Sveinsson, Midsummer Night (12 cm)

Hammer

Ragnhildur Weisshappell, Apple

KER skálar, Lavala

Shadow

The Ásmundur Sweater

Healing Hands scarf

Strokkur

Toes

Babb

Þorleif Gunnar Gíslason, Ásmundur Typeface

Water bottle with Imagine Peace design

Hildur Hákonardóttir, Breasts I

Sigurður Guðjónsson, Perpetual Motion

CLUB SCARF

Guðjón Ketilsson, Partway

Eggert Pétursson, Untitled

Guðný Rósa Ingimarsdóttir, opus-oups

Birgir Andrésson, Untitled

Erró, Shakespeare

Erró, Smokerings

BIRGIR ANDRÉSSON IN ICELANDIC COLOURS

Erró, Sabatés

Down Иorth: North Atlantic Triennial

Erró

Erró, Science-Fiction Scape (The Power of Images)

Jón Stefánsson, Hraunteigar by Mt. Hekla

Helena Margrét Jónsdóttir, Just like a real effect

Jóhannes, S. Kjarval, Face

Jóhannes S. Kjarval, Flower Face

Gilbert & George, The Great Exhibition