Hreinn Friðfinnsson’s conceptual work has been characterized as poetic and playful, dealing often with storytelling, nature and time. It can be almost anything: a photograph, a story, a tracing, an atmosphere, a quasi-scientific experiment, a paint stirring stick or a secret. A split second up in the air between the years 1975 and 1976, one shoe searching for the other one to form a pair. His works are often structured around dualities and reversals. Both in form and content they are hard to pin down. The works remain in state of flux even after their conception, often older works are reused or expanded upon.
Born in 1943 in Baer Dölum, Iceland, Hreinn Friðfinnsson lived in Amsterdam since 1971. He exhibited internationally since the 1970s and had solo exhibitions at respected institutions such as the National Gallery (Reykjavík), the Serpentine Gallery (London) and Bergen Konsthall (Norway). In 2019-2020 a major retrospective To Catch a Fish with a Song: 1964-Today took place at KW Institute of Contemporary Art in Berlin and Centre d’Art Contemporain in Geneva. Amsterdam based venues such as Gallery 845 (1970’s), Galerie van Gelder (1990’s), Kunstverein (2015) and Eenwerk (2018) have hosted solo shows. Hreinn Friðfinnson passed away in Amsterdam 2024.
Your Compound View - Selection from the collection from 1970-2010
ViewNew times in Icelandic Photography
ViewNational Gallery of Iceland - A Selection of 20th Century Works
ViewReykjavik Art Museum Acquisitions 2002-2005
ViewSummer Exhibition - From the Collection
ViewHreinn Friðfinnsson
ViewDreams of the Sublime and Nowhere in Contemporary Icelandic Art
ViewExperiment Marathon Reykjavik
ViewPerspectives - On the Borders of Art and Philosophy
ViewFaster and Slower Lines - From the Collection of Pétur Arason and Ragna Róbertsdóttir
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